Kubikat is the collective catalog of four of the leading German scholarly research institutes in the field of art history * Kunsthistorisches Institut in Florence (Max-Planck-Institut) * Zentralinstitut für Kunstgeschichte in Munich - funded by the Bavarian Ministry of Sciences, Research and the Arts * Deutsches Forum für Kunstgeschichte (Centre allemand d'histoire de l'art) in Paris - funded by the Foundation of German Humanities Institutes Abroad (DGIA) * Bibliotheca Hertziana (Max Planck-Institut für Kunstgeschichte) in Rome The catalog project began in 1993 as a joint initiative of the institutes in Munich, Rome and Florence, supported by the German Research Foundation (DFG)

Early American Imprints, Series I: Evans, 1639-1800 has been hailed as one of the most important collections ever produced on microform. The collection is based on the renowned American Bibliography by Charles Evans and enhanced by Roger Bristol's Supplement to Evans' American Bibliography. It serves as a foundation set for research involving early American history, literature, philosophy, religion, and more. Early American Imprints, Series I: Evans, 1639-1800 consists of more than 36,000 books, pamphlets, broadsides and other imprints. A common search interface for EAI I and EAI II is offered at: http://infoweb.newsbank.com/?db=EAIX.

Early American Imprints, Series II: Shaw/Shoemaker (1801-1819) is an essential complement to Early American Imprints, Series I: Evans (1639-1800) the definitive resource for researching 17th- and 18th-century America. The collection provides a comprehensive set of American books, pamphlets, broadsides and other imprints published in the early part of the 19th century. It is based on the noted -American Bibliography, 1801-1819- by Ralph R. Shaw and Richard H. Shoemaker and covers more than four million pages from over 36,000 items - including 1,000 catalogued new items unavailable in previous microform editions. A common search interface for EAI I and EAI II is offered at: http://infoweb.newsbank.com/?db=EAIX.

Traditionell liegt der Schwerpunkt der Sammlung auf Künstlermonographien (auch Ausstellungskatalogen), kunsttopographischer Literatur zu den Regionen und Orten Italiens sowie auf Quellenschriften