The Artstor Digital Library provides more than two million images with tools for teaching and research. Its over 300 collections comprise contributions from outstanding museums, photographers, libraries, scholars, photo archives, artists and artists' estates from all over the world. With the integration of Artstor into the JSTOR platform, Artstor’s images are searchable alongside JSTOR’s image collections, full-texts and other media. Being also accompanied by high-quality metadata furthermore helps situating Artstor’s images in a historical, critical or cultural context.

DigiZeitschriften is a digital library containing digitized back issues of core German research journals. At the moment the platform provides full-text access to more than 600 journals dating back to 1850. The archive content is edited on an ongoing basis. Any existing gaps will be filled and missing data steadily added. Users from the MPG have access to the complete journal collection, older public domain content is available free of charge to anyone.

The International Bibliography of Art (IBA) is the successor to the Bibliography of the History of Art (BHA), and retains the editorial policies which made BHA one of the most trusted and frequently consulted sources in the field. The database includes records created by the Getty Research Institute in 2008-09, with new records created by ProQuest using the same thesaurus and authority files. The database will grow by 18,000 records per year, ensuring unbroken coverage of journals that were indexed in BHA and IBA prior to 2010. The initial data set created by the Getty Research Institute in 2008-2009 covers scholarship up to 2009, including retrospective records for material published in previous years, and in some cases the new ProQuest indexing will also cover retrospective years in order to fill gaps in coverage. Publications covered include at least 500 core journals, with an emphasis on specialist and rare titles that are not covered by other indexes, plus detailed coverage of monographs, essay collections, conference proceedings and exhibition catalogues. We aim for at least 60% of the content to be in languages other than English (primarily German, French, Italian and Spanish), with a proportion of this indexing provided by national art libraries and freelance indexers from around the world.