Kubikat is the collective catalog of four of the leading German scholarly research institutes in the field of art history * Kunsthistorisches Institut in Florence (Max-Planck-Institut) * Zentralinstitut für Kunstgeschichte in Munich - funded by the Bavarian Ministry of Sciences, Research and the Arts * Deutsches Forum für Kunstgeschichte (Centre allemand d'histoire de l'art) in Paris - funded by the Foundation of German Humanities Institutes Abroad (DGIA) * Bibliotheca Hertziana (Max Planck-Institut für Kunstgeschichte) in Rome The catalog project began in 1993 as a joint initiative of the institutes in Munich, Rome and Florence, supported by the German Research Foundation (DFG)

The database provides access to full texts of international auction catalogues published between 1600 and 1900. Approx. 35,000 titles are planned to be digitized. Electronic fulltexts are based on filmed versions of holdings from diverse libraries, among others the Rijksbureau voor Kunsthistorische Documentatie (RKD), The Hague; the Rijksmuseum, Amsterdam; the National Art Library, Victoria and Albert Museum, London; the Courtauld Institute, London.

The Bibliography of the History of Art (BHA) contains abstracts and indexes of current publications in the history of art, including scholarly journals, conferences, book, exhibition reviews, and exhibition catalogues. The records consist of bibliographic citations, abstracts, and indexing. Note that the database search includes BHA, covering 1990-2007, the International Bibliography of Art (IBA), covering the years 2008 and part of 2009, and the Répertoire de la litterature de l'art (RILA), one of the predecessors of BHA, with records that cover 1975–1989.

In the late 1800's, Dutch physician and feminist Aletta Jacobs and her husband C.V. Gerritsen began collecting books, pamphlets and periodicals reflecting the revolution of a feminist consciousness and the movement for women's rights. By the time their successors finished their work in 1945, the Gerritsen Collection was the greatest single source for the study of women's history in the world, with materials spanning four centuries and 15 languages. The Gerritsen curators gathered more than 4,700 publications from continental Europe, the U.S., the United Kingdom, Canada, and New Zealand, dating from 1543-1945. The anti-feminist case is presented as well as the pro-feminist; many other titles present a purely objective record of the condition of women at a given time.